Quote: (06-24-2018 09:31 PM)TigerMandingo Wrote:
Quote: (06-24-2018 09:11 PM)Fender_Bender Wrote:
I don't care how artistic or well done a tattoo is. They degrade any woman at any size, type, or number. Again, I can't explain why I hate them so much. There is some chunk of my monkey brain screaming "UGLY AND TRASHY" right away. Same with stupid fuckin piercings like bovine septum rings.
Well said.![]()
Another thing I was thinking. You never see girls (and probably guys) of established, wealthy, upper-class backgrounds get tatted up. Like you would never see a Rothschild or a Rockefeller or a Trump walking around with a sleeve tattoo.
The breakdown of bourgeois values is one of the major reasons for the outbreak of freakish and deviant behavior.
PS, just saw Lizard's post. Superb.
Not exactly bourgeois, it's more about breaking down the values of the aristocratic upper class. Factions of the bourgeoisie were behind the overthrow of the aristocrats. The Rothschilds and Rockefellers are not upper class, they're nouveau riche, and they're the main vectors of degeneracy. The Rockefellers promoted degenerates like Kinsey, porn and feminism, while the Rothschilds funded the destruction of the upper classes throughout Europe, especially in Russia. They've culled not only the aristocrats, but the better half of that population, nearly 65 million mostly Christians. That's why to this day the average Russian is a bit of a barbarian compared to the average western European.
They've also conspired to destroy most of the monarchies on the continent, in France, Austria-Hungary, Russia and even Turkey. The ones that remain, like the British royal family, have been coopted and infiltrated. They know that once you destroy the top of society, the rest falls apart.
People in America have been programmed to hate the upper class by Hollywood, which depicts them as uptight evil white (often blond) people. The hero in films like The Graduate, Caddyshack and so many other films is a revolutionary crypto-Jew fighting to overturn the establishment. In the Graduate, Hoffman is a neurotic loser who screws his older neighbor's wife and proceed to destroy her daughter's Goy marriage, he's portrayed as some kind of hero that we're supposed to identify with and root for...
![[Image: 02_top10movieweddingscenes.jpg?w=480&h=320&crop=1]](https://timeentertainment.files.wordpress.com/2011/08/02_top10movieweddingscenes.jpg?w=480&h=320&crop=1)
Prior to the 1960s, most movies strived to reflect high moral values and strong traditional role models, which the social engineers have managed to successfully unravel in the last half century. Tattoos are just one of the most visible symptoms of that carefully engineered debasement of societal norms.
“Nothing is more useful than to look upon the world as it really is.”