I watched two Soviet films today that both had similar styles of direction with lack of a strong naratrive; 'The Initiated' and 'The Mirror'.
I stumbled upon 'The Initiated' by chance whilst looking for films from the period of Glasnost with English subtitles. There are not many out there on Youtube.
It is a film from the late 80's by the Soviet director Oleg Teptsov. The film is shot in Sepia and has a strange atmosphere which is enhanced by a hauntingly beautiful score sung in a Latin language I could not place. The story made such little sense to me that if I had not read some notes on the film before watching it I would have had no idea what was going on. I believe you could call it avant-garde. It seems the director was trying to make some kind of statement about Glasnost and the Russian future but I could not understand what his point was.
The film resolves around a character with a stutter who takes part in some kind of evangelical meetings in run down factories. He befriends the son of a famous actor and then somehow in a scene I did not understand is given the power of life and death over people he meets. The thing is he never seems to use this power. In one scene the lead actor is seen lying on a grave wailing and head-butting it. It was incredibly strange. There seemed little plot to follow and then the lead actor dies in a burning bed which is obviously an allegory for hell but I could not work out why.
As crazy as the film is, and it really is, it left an impression on me in a kind of haunting way. It ticked all the boxes for everything I usually dislike in films ( slow, no real storyline, strange sequences, lack of dialogue ) yet something about it has stuck with me. I think I will probably have to watch it again to understand it completely.
The Mirror. This film needs little introduction to Russian film buffs having been rated one of the all time greatest movies and Tarkovsky's autobiographical master piece. I have only seen one other Tarkovsky film, Stalker, and it left me a little underwhelmed so I settled down to this one expecting a deeply philosophical slow film; A film to be endured rather than enjoyed. I was wrong. It is an incredibly beautiful film using flashbacks and time shifts to tell a narrative. There is no real story except that of a woman and a child through different stages of life and history; pre second world war, war time, 1970's. It is I believe about relationships especially with our mothers, bonds between families, the future of Russia but these themes are hinted at and not thrown in your face. I can't say much more than that as there really is not much to say, you just have to see it, and truth be told you probably have to see it a couple of times to take it all in. It was only towards the end of the film that I understood who certain characters were in relation to the time shifts so no doubt I missed other things too on a first viewing. I would recommend people watch it as it really is a work of beauty.