Did Anita Sarkeesian fabricate her story about contacting the authorities?
09-14-2014, 10:42 PM
So it turns out that she did actually contact the authorities?
Quote: (09-14-2014 09:39 PM)TheWastelander Wrote:
I love Fallout: New Vegas.
Quote: (09-14-2014 10:37 PM)Avon Barksdale Wrote:
Knights of the Old Republic 2 eclipses the first Kotor in my opinion
Quote: (09-13-2014 01:23 PM)Aurini Wrote:
3. Control the Battlefield.
Go check out the Wikipedia page for Sarkeesian; there's no mention of criticism, because there have been no 'authoritative' critiques. Put simply, it doesn't matter how well Thunderf00t disproves her arguments, or how well any of us write about these topics online. The US Supreme Court might recognize us as journalists, but the MSM, Wikipedia, and Academia dismiss anything we write as hearsay. With a documentary that all changes; suddenly we have something that demands acknowledgement on IMDB, and Wikipedia, that also reaches a larger audience of non-gamers. By exposing Sarkeesian et al, we expose the methodologies of the people who do this in other realms. The public becomes a little bit more aware of these disingenuous manipulators, and it becomes that much harder for them to do what they do.
Quote: (09-13-2014 01:23 PM)Aurini Wrote:Is your film about Anita Sarkeesian?
Incidentally, that short film that you guys helped me get the votes for? That'll be available online in the next week or so. It's not perfect, but it turned out pretty well for a budget of $10,000. I've shown it to some of my friends who've worked in Hollywood, and it's managed to impress them.
Quote:Aurini Wrote:
Let me give you an example of the damage her sorts of narratives cause. In Dragon's Age: Origins there was a bisexual male character, with a background and character arc that included his sexuality. He was a well developed character.
In Dragon's Age: 2* EVERY character is bisexual without there being a story behind it. Having a distinct gay or bisexual character is too homophobic these days, and the last thing that Bioware wants to do is oppress all of those victims out there (all 12 of them)! Similarly, in Mass Effect 3* there's a character in a gay marriage, who isn't gay; they just jammed in this jarring nod to diversity for the sake of diversity.
Quote: (09-13-2014 06:39 PM)AnonymousBosch Wrote:
Sarkeesian is a toxic, self-interested idiot with no interest in gaming, and is simply using it as a tool to grab power for herself. Her videos show an utter lack of awareness of story telling and character function.
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She herself is a classic female trope: the bitter moral crusader. Carrie Nation. If you're my age, and English, you would recognise her as Mary Whitehouse. If you're my age, and American, you would recognise her as Tipper Gore. You ever wonder why albums have warning labels on them?
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If gamers allow developers to take her seriously, and define what can and can't be an acceptable female character, you will end up with a bunch of Mary Sue characters with no realistic human flaws, because any negative character flaw might be misogynistic. Basically, the chick from Twilight, but even more insufferably morally-correct. Expect 'beautiful' female characters to be uglied up.
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And if gamers can't boycott one good game, in a world with 30+ years of gaming history to otherwise distract themselves with, they deserve the patronising moral lectures games will eventually dissolve into.
Quote: (09-15-2014 04:20 PM)AnonymousBosch Wrote:
I wrote up my analysis of how the SJW / Cultural Marxism mindset permeates every aspect of a mainstream hit like 'The Last Of Us', but it's come out at 10+ pages, and I'm not about to dump a wall of text that size on this forum.
Quote: (09-15-2014 04:20 PM)AnonymousBosch Wrote:
I wrote up my analysis of how the SJW / Cultural Marxism mindset permeates every aspect of a mainstream hit like 'The Last Of Us', but it's come out at 10+ pages, and I'm not about to dump a wall of text that size on this forum.
Quote: (09-14-2014 01:55 AM)Handsome Creepy Eel Wrote:iirc Blizzard cut an interview short because they were tired of questions about their boobplates being misogynist.
Quote: (09-13-2014 07:30 PM)iop890 Wrote:
So now Bioware creates nothing but these awful degeneracy simulators like Dragon Age 2 where everything is gay and you lose reputation with characters for not buttfucking them. Or Mass Effect 3 where a character that had been straight for 2 games, even competing with you to bang the alien chick in the first game is now suddenly confessing his gay love for you.
This is completely true. The following of these classic RPG games has become retarded beyond measure, and game studios now cater to them because they are afraid of media storms (not so much weaker sales numbers, since most people, even "diehard followers", will pirate games anyway).
A game made by their community, Baldur's Gate Enhance Edition, has also been infected by this insanity. While in previous Baldur's Gates romancable characters have all been reasonable, in this game you have Neera, a feminist half-elf whose primary feature is being an unstable cunt, and Dorn, a bisexual half-orc who actually tries to convince your (male) character that he is only not bi/gay because he hasn't tasted cock yet and then threatens you when you refuse (you'll recognize this as one of the most common complaints that lesbians make - men believing that they are only lesbians due to not having tried cock yet and not accepting their identity - apparently this is disgusting only when it happens to a woman).
I only hope that Blizzard is resistant to bullshit. If I started seeing this crap in Diablo, Starcraft or World of Warcraft, it would be the final blow.
Quote: (09-15-2014 05:51 PM)AnonymousBosch Wrote:
I've thought more about the idiocy of Sarkeesian working with EA, and the best way I can explain it is this:
I'm a musician. The songs I write for my band usually come from my personal experiences and observations, though I sometimes write in character.
Now, imagine I'm going to write a song, but the record company has decided that my thoughts and ideas need to be approved first.
When I ask why, they inform me that there is pressure from outside sources who claim that music is 'troubling' to them.
To address this, they say the next time I am to write a song, I am to be paired up with a 'Consultant' to avoid any issues.
Co-incidentally, this Consultant is the most vocal speaker currently in society who decided music was 'troubling' to begin with.
Attempting to make the best of this situation, we sit down to write a song, and I ask her what bands she likes.
She states. "I don't like music. Music is problematic." She shows me interview after interview where she has publicly-stated she isn't a fan of music, doesn't listen to music in her spare time, and think music fans are despicable human beings.
This gives me pause, so I try to change the subject. "Well, I want to write about this thing that happened to me."
She purses her lips. "No-one cares about the experiences or viewpoints of a White Heterosexual Male. You need to only write songs about the marginalised and powerless in society."
"If they can dictate what I can and can't write about, how are they in any way marginalised or powerless?"
She waves her finger at me. "Denying their victimised status is thoughtcrime."
"Can't they learn to write and record their own songs? Wouldn't that be far more empowering for them to learn an instrument and sing of their lives?"
"Check your privilege. Expecting them to learn to write a song or play an instrument is a patriarchal expectation designed to silence their voices."
I dodge: "Well we can write a positive song that is fun for the listener and makes them happy."
She frowns. "Here's why that's a problem..." and explains to me that music shouldn't ever be 'fun', and should only be used for political instruction with a heavy moral overtone. "People should only play games to learn how to be a good party member person. That is the only acceptable form of song."
"OK, we can write a political song. There's a long traditional of great songwriters putting their political views into song. Let's write about X."
She frowns again. "The fact that you want to write about X is... troubling. Taking that viewpoint means you are literally worse than Hitler. Your freedom to write a song from that viewpoint needs to be restricted and controlled by law."
"So, I can write political songs, but only if they share your viewpoint."
"Exactly."
"Isn't that hypocritical?"
"Hypocrisy isn't possible for outer party members people like me, only proles people like you. This is beyond your comprehension because you're not intelligent and educated, like I am."
I change the subject. "Ok, we'll write a rock song."
She frowns again. "A rock song is literally cultural appropriation. White people stole rock music from the African Americans who created it."
"I'm confused. Rock music is a blending of African-American blues music with the Hillbilly music of White Immigrant Settlers in the Appalachians. Without the two cultures cross-pollinating, culture would have stagnated. Together, they created something new."
"That doesn't matter. It's cultural appropriation."
"But traditional African Music is pentatonic - using a 5 note scale. If blues and rock and roll use the 12 note Western Harmonic Scale popularised by the European Richard Wagner in the 1800's - a white European - aren't the African-American's stealing the white man's music?"
"It doesn't work that way."
"But the dominant seventh chord vital to the V Chord creating the pull to the I chord in rock and roll is a core concept of Richard Wagner's popularisation of Chromaticism!"
"We can't complete this task with your racist thinking. You would understand if you were educated."
"Isn't every rich white girl currently-having success in the charts with ebonic rapping just a version of blackface?"
"Now you're being sexist. You're just trying to stop their voices being heard."
I change the subject again. "Look, we'll use this chord progression."
She shakes her head. "Here's why that is a problem: those chords are stereotypical."
"They're used because they're a create a sense of progression, music listeners like them, and they work."
"Using those chords is literally offensive. Music listeners only like them because they're despicable, uneducated people. You're a bad person for even suggesting them."
I throw my hands up, and hand her the guitar. "OK, you write the song."
She clucks her tongue at me. "I don't play an instrument. I don't know how to write a song. I don't even like music. It's... problematic."
"Then why are you here?"
"Because your record company is paying me for my expertise in this area."
Quote: (09-15-2014 06:37 PM)iamdegaussed Wrote:
So the SFPD changed their story?
How could they have missed such important information.
Quote: (09-15-2014 07:29 PM)iamdegaussed Wrote:
At the time Aurini made his call, the guy said there wasn't even a case number.
Why couldn't he find a case number when Aurini and Milo were asking? It just seems nuts to me.
Quote: (09-15-2014 08:29 PM)Aurini Wrote:
More importantly: why were the GamerGate people (I think I was the third to ask, the first to record it, however) the first people asking about this? Sarkeesian made claims of substantial unprofessionalism amongst the police, which the MSM reported - why did they not contact the SFPD for their side of the story?
Quote: (09-15-2014 04:20 PM)AnonymousBosch Wrote:
As for boycotts:
Would music in the 80's have been better if Tipper Gore had been allowed in each recording studio to tell the artists what can and can't be sung?
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How can you see handing Sarkeesian power as something that is going to have a positive effect on creativity enough that she shouldn't be blacklisted through economic pressures?
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Gamers need to say games don't need her input, and send her back to whatever hole she crawled out of, because she's said she doesn't care about games, and they're just a means to an end for power to her. Why give her that?